Tag Archives: horror films

Movie Pick and Review: Winchester (2018)

13 Aug

Gun heiress Sarah Winchester (Helen Mirren) builds a 7-story mansion. Staircases lead to nowhere, and 100’s of rooms open to only walls. Honestly, I thought this was an exaggerated historical fiction account, but no, this is a inspired by true story.

Movie poster for Winchester, featuring Helen Mirren as Sarah Winchester, standing in black mourning attire and holding a large ring of keys in front of an ornate window. Text reads "Inspired by True Events at the Most Haunted House in History."

The house in San Jose, California, is still standing and open for tours, and many consider it the most haunted residential house in the United States.

Sarah Winchester, widow of William Winchester and heiress to the Winchester fortune, demanded and ordered this house be built around the clock, but workers were given no master plan.

Two-part composite image of the real Winchester Mystery House in San Jose, California. The top photo is a black-and-white historical image showing the sprawling Victorian mansion's turrets, gables, and irregular rooflines. The bottom photo is a modern color aerial view of the same house, showing its maze-like layout of red-roofed sections, courtyards, and surrounding gardens.

The house was a 38-year construction project started in 1866 and had a total of 160 rooms winding 7 floors until a 7.8 magnitude earthquake leveled the house to it’s current four stories (top picture).

Today (bottom), though, the structure is still a labyrinth of hallways, 40 bedrooms, six kitchens, 2,000 doors, 10,000 window panes, and 47 fireplaces with only 17 chimneys. Doors really do lead straight into walls and windows are on the floor. One in the séance room opens up to nothing but an eight-foot drop directly to a sink.

Why would someone want a house with over a hundred rooms, staircases leading to ceilings, doors that open to drops, and staircases that wind in maze-like fashion?

Sarah is convinced she’s cursed by the sins of her fortune, so all this is meant to ward off the spirits killed by her family’s product.

If she can build a house so confusing, perhaps it will confuse them and keep them contained.

In 1906, the company’s board sends Dr. Eric Price (Jason Clarke), a drug-dependent psychiatrist, to declare her unfit to run the business. This is not a mission of goodwill on the board’s part. Instead, Dr. Price starts seeing these ghosts in gruesome fashion.

Is it the drugs or the actual suspicions of Sarah manifesting?

Mirren, as always, is committed to her role and takes a script that seems to want to be a bit too jump scary back to the true story’s more gothic and macabre roots. The house, too, is a character in itself, and the movie leans hard into its confusing architecture.

I must be honest: if it wasn’t for these two stars, the story would simply be another jump-scare, stereotypical ghost-with-a-grudge story. The beats (while I admit I still jumped) can be obvious, especially for a vetted haunted house movie watcher. However, if you, the viewer, tap into the guilt and grief behind the moral and repercussive pain of Sarah Winchester, then it’s quite a lovely gothic homage to the moral message of the monuments, big and small, each of us has built for the ones hurt (even if indirectly) by our doings.

This is where I have to be honest: the ghosts are pretty predictable. Jump scares, a vengeful spirit with a grudge, etc. Fans of haunted-house movies will see many of these coming. But, there’s a much stranger, sadder movie underneath about guilt, grief, and a woman literally building a monument to everyone her husband’s business ever hurt.

Winchester is a good scary-night movie, helped by the fact that sometimes history is scarier than fiction.

Reserve the Bluray in the BCCLS system here or the DVD in the BCCLS system here.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant

When the Past Comes Back for A Kill: The Fog and The Monkey on Kanopy

5 Mar

Movies decades apart, and one atmospheric (The Fog) and the other dark comedy gory horror (The Monkey), but both holding tight to what makes Horror so distinctly human: the past shall not stay buried just because it’s dead or destroyed. Murmurs echo the sins of our past in our present. A fog can spark revenge, a monkey can spur a curse, an element of Mother Nature can bring ghouls, and a toy can silence those it deems worthy. Ghosts rise both in the mist and on the shelf. Each tells the same message, though – things must be answered for…it just depends on who or what is delivering the consequences.

The Fog (1980)

John Carpenter’s The Fog is a story about a lie, simple as that – an atmospheric ghost story centered on a small town celebrating its present and suppressing its past. It’s a town founded on stolen gold. I’ll leave it at that. Oh, and you guessed it, when the fog comes, so do the ghosts from which the gold was stolen.

Synopsis from Kanopy: According to legend, six sailors killed when shipwrecked 100 years ago in Antonio Bay, California, will rise to avenge their deaths when a strange glowing fog appears. The town is commemorating the centenary of the shipwreck and Father Malone discovers a diary kept by an ancestor; he learns that the ship was wrecked by six founding fathers of the town. The vengeance of their victims will be the death of six people. 

Just as he did in Halloween, John Carpenter gives meaning to terror and shows that when a haunting comes to town, not even the innocent and unaware are safe. Ghosts and goblins have no rules, but we understand why in The Fog, and that’s important.

The horror builds through the realism of learning about the characters, experiencing the world of a small seaside town, encountering a few crazies at the local pub, understanding its mom-and-pop shops and business practices, and even making you care about the old lady babysitter. You know the townsfolk are hiding something, but it’s made clear they feel they are doing it for the right reasons. That alone builds empathy, so when the fog approaches, we care for both the good and the bad guys. The morality is foggy (pun intended). The ghosts are purposeful and believe they are owed what was taken from them. This is vindicated punishment.

This movie reminds me that while the past coffers to the present, the essence of dirty deeds and wrongdoings seep up through the soil.


The Monkey (2025):

The Monkey is an adaptation of a short story by Stephen King, about a cursed family toy that won’t die. Twist its crank, and someone, other than the person holding it, will die. It makes no sense, and that’s where the dark humor comes into play – the Monkey takes who it wants, no rhyme or reason. There is no moral logic to it, but there is morality for us to learn.

Synopsis from Kanopy: In this darkly comic horror thriller directed by Osgood Perkins, twin brothers Hall and Bill wrestle with a cursed wind-up monkey toy whose drumming triggers shocking, grisly deaths around them. Decades after trying to bury their past, the brothers are forced to confront the malevolent today when a new wave of carnage sweeps through their Family. The Monkey is adapted from Stephen King’s 1980 Short story of the same name. 

The Monkey showed me (albeit in a very, very gory and often shocking way) how mechanisms of our grief, trauma, and pain find ways of destroying us without ever explaining why. It’s up to me to not wind the key that tightens my strings and eventually makes the toy (my humanity) pop.

How much curiosity really does kill the cat? When does infatuation with revenge strip us of humanity? Is trauma enough to justify terror against others? Is unresolved and unchecked pain the destroyer of us?

Watch now on Kanopy: The Fog | The Monkey (Free with your library card)

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant