Tag Archives: horror

Movie Pick and Review: Winchester (2018)

13 Aug

Gun heiress Sarah Winchester (Helen Mirren) builds a 7-story mansion. Staircases lead to nowhere, and 100’s of rooms open to only walls. Honestly, I thought this was an exaggerated historical fiction account, but no, this is a inspired by true story.

Movie poster for Winchester, featuring Helen Mirren as Sarah Winchester, standing in black mourning attire and holding a large ring of keys in front of an ornate window. Text reads "Inspired by True Events at the Most Haunted House in History."

The house in San Jose, California, is still standing and open for tours, and many consider it the most haunted residential house in the United States.

Sarah Winchester, widow of William Winchester and heiress to the Winchester fortune, demanded and ordered this house be built around the clock, but workers were given no master plan.

Two-part composite image of the real Winchester Mystery House in San Jose, California. The top photo is a black-and-white historical image showing the sprawling Victorian mansion's turrets, gables, and irregular rooflines. The bottom photo is a modern color aerial view of the same house, showing its maze-like layout of red-roofed sections, courtyards, and surrounding gardens.

The house was a 38-year construction project started in 1866 and had a total of 160 rooms winding 7 floors until a 7.8 magnitude earthquake leveled the house to it’s current four stories (top picture).

Today (bottom), though, the structure is still a labyrinth of hallways, 40 bedrooms, six kitchens, 2,000 doors, 10,000 window panes, and 47 fireplaces with only 17 chimneys. Doors really do lead straight into walls and windows are on the floor. One in the séance room opens up to nothing but an eight-foot drop directly to a sink.

Why would someone want a house with over a hundred rooms, staircases leading to ceilings, doors that open to drops, and staircases that wind in maze-like fashion?

Sarah is convinced she’s cursed by the sins of her fortune, so all this is meant to ward off the spirits killed by her family’s product.

If she can build a house so confusing, perhaps it will confuse them and keep them contained.

In 1906, the company’s board sends Dr. Eric Price (Jason Clarke), a drug-dependent psychiatrist, to declare her unfit to run the business. This is not a mission of goodwill on the board’s part. Instead, Dr. Price starts seeing these ghosts in gruesome fashion.

Is it the drugs or the actual suspicions of Sarah manifesting?

Mirren, as always, is committed to her role and takes a script that seems to want to be a bit too jump scary back to the true story’s more gothic and macabre roots. The house, too, is a character in itself, and the movie leans hard into its confusing architecture.

I must be honest: if it wasn’t for these two stars, the story would simply be another jump-scare, stereotypical ghost-with-a-grudge story. The beats (while I admit I still jumped) can be obvious, especially for a vetted haunted house movie watcher. However, if you, the viewer, tap into the guilt and grief behind the moral and repercussive pain of Sarah Winchester, then it’s quite a lovely gothic homage to the moral message of the monuments, big and small, each of us has built for the ones hurt (even if indirectly) by our doings.

This is where I have to be honest: the ghosts are pretty predictable. Jump scares, a vengeful spirit with a grudge, etc. Fans of haunted-house movies will see many of these coming. But, there’s a much stranger, sadder movie underneath about guilt, grief, and a woman literally building a monument to everyone her husband’s business ever hurt.

Winchester is a good scary-night movie, helped by the fact that sometimes history is scarier than fiction.

Reserve the Bluray in the BCCLS system here or the DVD in the BCCLS system here.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant

Movie Review: Children of the Corn (1984)

11 Jun

How this movie/Stephen King turned driving through a cornfield (a pretty boring experience, trust me, as a Midwesterner) into one of the most horrifyingly claustrophobic and isolated cult rituals I have ever seen is brilliant. 

Movie poster for Children of the Corn, 1984. A silhouetted hand raises a sickle against a blood-red sky above a dark cornfield. The title "Children of the Corn" appears in bold white text at the bottom.

I discovered the movie while researching comparable titles to my own next novel. I always knew it existed but, for some reason, it never quite appealed to me, until I learned it was based on a Stephen King short story. That pushed me over the edge. 

What makes Children of the Corn classic horror is its roots in the fear of sensory deprivation.

Burt and Vicky are driving through Nebraska when they accidentally hit a child. They swear he came straight out of nowhere. And when there are miles and miles of tall, sun-bleached, waving corn blowing in the wind, there is simply no way to tell what’s hiding inside of it. That image,  simple as it sounds, is the beating heart of this film.

The two scramble with how to deal with this, and the further they go into the endlessness of the roads ahead, the more they find themselves circling nothing but corn, decimated storefronts, and evasive, guarded residents. This leads them to the ghost town of Gatlin. 

But that’s just what the surface shows.

Underneath, a twisted cult-preacher boy named Isaac and his second-in-command, Malachai, run the town. No adults remain. He Who Walks Behind the Rows commanded the children to slaughter every one of them.

A scene from Children of the Corn. A group of children sit in a circle at the edge of a cornfield. A boy stands at the center. Behind him is a police officers skeleton perched as a scarecrow attached to a tall wooden cross made of dried corn stalks.

Thus, Burt and Vicky’s crime is a simple one: being adults in the wrong place at the terribly wrong time.

One of King’s early literary inspirations was William Golding’s Lord of the Flies, and it shows here. Children of the Corn is about the terrifying idea of a world without rules, without adults, without the structures we’ve grown complacent to. It takes one of the most ordinary and mundane American settings, a small town where a stranger would expect a friendly hello, a polite wave, and easy hospitality, and makes everything in it disturbing and petrifying.

The corn breathes alongside them, growing more unsettling with every scene.

I won’t go into the rich undercurrents of fundamentalism, cult and folk ritual, or the movie’s representation of self-imposed malicious parentification. 

The movie created such a powerful dread that it spurred a new archetype for the genre: The Children of the Corn Dynamic – youth-led groups or cults that completely overthrow and control the adult population (King, 1978; TV Tropes).

P.S. Do not confuse this with the 2023 remake/reboot. The original is much more worth your time!

Reserve your DVD copy in the BCCLS system here.

Bluray here.

Or, read the short story published in 1977 on Overdrive/Libby.

Comment below your thoughts once you’ve had a watch.

Hit subscribe to get weekly updates on posts from the Hoboken Public Library!

Written by:
Sean Willey
Information and Digital Services Assistant