Stranger in the Woods (2017) by Michael Finkel

19 Mar

The Stranger in the Woods is the true account of Christopher Knight’s 27 year hermit journey in the Maine woods. No human contact, no conversation, no care for the outside world, just survival, and his own heartbeat against nature. He stole to survive, but took only what he needed. What’s remarkable about this book, besides its subject, is it achieves something consistent in its truth and a consistent question: Why?

Book cover showing a dense and shadowy forest in tinted greens. Handwritten white chalk text reads “The Stranger in the Woods” and “The Extraordinary Story of the Last True Hermit.” In the background, a truck is hidden in the trees. The author's name, “Michael Finkel" is at the bottom.

Why do we need people and contact? Why do we succumb to society’s expectations? Why don’t we push harder to connect with universal truths? Why do we not pull away more from assumptions of who we should be. 

Knight’s story is not a sensationalized spew of intrigue, mystery, and crime, but an honest and connective account of someone who escaped authority and accountability for almost three decades. In a way, I came to respect Knight and his commitment to something he truly believed in, even if he knew it was wrong (if you think of it in terms of fiction, he’s a flawed antagonist, doing what he believes is right). 

What worked so well for me, is that Finkel lets the silence between Knight’s actions breath, giving us time to process both the magnificence of Finkel’s journey along with its mistakes. 

Finkel interviewed Knight extensively (though Knight was always reluctant and evasive), and he contextualizes Knight’s words with a blend of philosophy, psychology, and history. The book asks: Is solitude an illness, a spiritual awakening, a radical rejection, or just a preference?

A makeshift campsite in a wooded forest. Tarps are strung between trees to form a shelter, with clothing hanging from lines. Buckets, plastic bins, a propane tank, pots, and other survival gear are scattered on the ground and tied to trees, showing Christopher Knight's living setup deep in the woods.

Above is a photo of Knight’s camp. I felt the weight of being alone with Knight throughout the book, and I sympathized with him. At a certain point, I perhaps even wanted to follow in his footsteps (just an interesting thing to think about). 

And why did my mind go there? Because Knight’s mind simply switched, as all of ours has at some point (even if to this extreme.) There was no traumatic event or dramatic falling out. He just walked into the forest.

There is a powerful detail Finkel shares in Knight’s memory that haunts and fascinates me: Knight never felt lonely in the woods and simply forgot what it felt like to need people.

Have you read The Stranger in the Woods? What did you think? Comment below.

If you haven’t read it, you can reserve it in the BCCLS system here. 

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Written by:
Sean Willey
Information and Digital Services Assistant

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Bee’s Knee’s Fantasies: Wolf Worm and Butterfly Effects

17 Mar

Wolf Worm
by T. Kingfisher
Wolf Worm is the latest by T. Kingfisher. Sonia Wilson grew up assisting her botanist father with his research and as a talented illustrator, enjoyed creating beautiful art out of what many people would simply consider weeds. But after her father’s death she struggles to find work as a scientific illustrator until she is hired to paint a collection of parasitic insects for a reclusive entomologist. The strange happenings in the nearby woods filled with odd wildlife and rumors of “blood thieves” has her both fearful and curious.

This is an entrancing dark historic fantasy/gothic horror story that gave me the creeps in the best possible way. As someone who grew up with a biology teacher for a father who enjoyed photographing our backyard bugs, I appreciated the detailed way that Kingfisher handled the topic. Even predisposed to finding insects intriguing, Kingfisher’s description’s still were at times horrifying and I can only imagine how much dread they would inspire in entomophobics. The 1899 time period felt well researched including social issues of the time. Kingfisher’s experience as an artist, herself, brings Sonia’s passion to life. She masterfully builds dread and includes several unexpected twists. If you enjoy this story, also check out her excellent spin on Poe’s The Fall of the House of Usher, What Moves the Dead, and its sequel, What Feasts at Night.

Butterfly Effects
by Seanan McGuire
Butterfly Effects is the latest in Seanan McGuire’s InCryptid series, which follows several generations of the Price family (both biological and found) on their adventures. Sarah Zellaby is one of the more unusual members of the family who was adopted as a young child. Sarah isn’t human, she is a Johrlac, a species that look like pale humans with dark hair, but are actually evolved from a species of psychic wasps on a world in another dimension. By those who are aware of them, her species is typically feared and reviled on earth for their powers and tendency to cause chaos. Despite all of her best efforts at being a good person, she has been kidnapped and brought to the Johrlac home world for crimes she did not even know existed.

McGuire gives enough of the backstory at the start so that you do not need to read the other books in the series to understand this one; this books follows events most closely with the stories in Imaginary Numbers and Calculated Risk which also focused on Sarah. Butterfly Effects is told from both Sarah’s perspective and that of one of her adopted cousins. Sarah is an interesting and complex character and I think readers who are neurodiverse will especially feel a kinship with her. The Johrlac world is vividly described from its giant bugs and beautiful flowers to its unique buildings; this story will appeal to Science Fiction as well as the series’s usual Fantasy fans.

Written by:
Aimee Harris
Information and Digital Services Manager

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