Tag Archives: stephen king

Movie Review: Children of the Corn (1984)

11 Jun

How this movie/Stephen King turned driving through a cornfield (a pretty boring experience, trust me, as a Midwesterner) into one of the most horrifyingly claustrophobic and isolated cult rituals I have ever seen is brilliant. 

Movie poster for Children of the Corn, 1984. A silhouetted hand raises a sickle against a blood-red sky above a dark cornfield. The title "Children of the Corn" appears in bold white text at the bottom.

I discovered the movie while researching comparable titles to my own next novel. I always knew it existed but, for some reason, it never quite appealed to me, until I learned it was based on a Stephen King short story. That pushed me over the edge. 

What makes Children of the Corn classic horror is its roots in the fear of sensory deprivation.

Burt and Vicky are driving through Nebraska when they accidentally hit a child. They swear he came straight out of nowhere. And when there are miles and miles of tall, sun-bleached, waving corn blowing in the wind, there is simply no way to tell what’s hiding inside of it. That image,  simple as it sounds, is the beating heart of this film.

The two scramble with how to deal with this, and the further they go into the endlessness of the roads ahead, the more they find themselves circling nothing but corn, decimated storefronts, and evasive, guarded residents. This leads them to the ghost town of Gatlin. 

But that’s just what the surface shows.

Underneath, a twisted cult-preacher boy named Isaac and his second-in-command, Malachai, run the town. No adults remain. He Who Walks Behind the Rows commanded the children to slaughter every one of them.

A scene from Children of the Corn. A group of children sit in a circle at the edge of a cornfield. A boy stands at the center. Behind him is a police officers skeleton perched as a scarecrow attached to a tall wooden cross made of dried corn stalks.

Thus, Burt and Vicky’s crime is a simple one: being adults in the wrong place at the terribly wrong time.

One of King’s early literary inspirations was William Golding’s Lord of the Flies, and it shows here. Children of the Corn is about the terrifying idea of a world without rules, without adults, without the structures we’ve grown complacent to. It takes one of the most ordinary and mundane American settings, a small town where a stranger would expect a friendly hello, a polite wave, and easy hospitality, and makes everything in it disturbing and petrifying.

The corn breathes alongside them, growing more unsettling with every scene.

I won’t go into the rich undercurrents of fundamentalism, cult and folk ritual, or the movie’s representation of self-imposed malicious parentification. 

The movie created such a powerful dread that it spurred a new archetype for the genre: The Children of the Corn Dynamic – youth-led groups or cults that completely overthrow and control the adult population (King, 1978; TV Tropes).

P.S. Do not confuse this with the 2023 remake/reboot. The original is much more worth your time!

Reserve your DVD copy in the BCCLS system here.

Bluray here.

Or, read the short story published in 1977 on Overdrive/Libby.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant

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Film Adaptation: Stephen King’s Needful Things (1993)

7 May

You can have whatever you want and favors mean more than cash at Needful Things. Everyone finds what they can’t lie without here or what they’ve regrettably let behind in a past life. 

Cover for Needful Things (MGM). Ed Harris and Bonnie Bedelia appear in the foreground looking alarmed, while Max Von Sydow's face looms large in the background. The tagline reads: "The town of Castle Rock just made a deal with the Devil...Now it's time to pay."

The movie adaptation of Stephen King’s Needful Things does a good job bringing to life one of King’s most underrated villains, Leland Gaunt. For those not familiar with the story, Mr. Gaunt (Max Von Sydow) is the Devil in human form, and he comes to Castle Rock, Maine to open a collectibles and antiques shop. Ed Harris plays the town’s sheriff, who has his suspicions after just his first meeting with the store owner and serves as the rational anchor as the town unravels.

Of course, die-hards will point out the movie’s derailment in many areas from the book, but let’s be realistic that it’s impossible to fit all the details of a 700 page book into two hours. The movie brings forth the mainstream style of a big studio while preserving King’s spiderweb design of greed and seduction’s hold on us. It teeters into dark comedy at times, showing the town as ugly from the beginning, with grudges festering around every corner. Yep, perfect pickings for the Devil to exploit.

The pranks each customer plays on each other to “pay off their debt” leads to murderous consequences, and all the while Mr. Gaunt revels in it. Max Von Sydow was a perfect pick for this role.

This movie won’t scare you or make you keep the lights on until the very last second before bed. Instead, it will, at least it did for me, cast gloom over the power that possessions and the want for prestige can hold over us. The more we want, the more the Devil entangles our minds to do his will. And what this story makes chillingly clear is that his will isn’t to destroy the world. No, it’s to watch it torture itself into madness.

As Mr. Gaunt says at the end, “This town wasn’t my best work, but it was fun.” Then he drives away.

Have you seen Needful Things (or read the book)? What did you think? Comment below.

You can reserve the movie here and the book here,

Horror fan and interested in the Hoboken Library’s Horror/Thriller Book Club? Please email reference@hobokenlibrary.org, or register for our next meeting by searching under Events on our website.

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Written by:
Sean Willey
Information and Digital Services Assistant

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