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Horror/Thriller June Book Club Pick: Heads Will Roll by Josh Winning

30 Jun

Knock Knock; Nancy is a local campsite story no one takes seriously until knock knock knocks are heard. She was a witch beheaded who now knocks on cabin doors after dark, and takes your head if you answer. One by one, campers are gone, until Willow, playing the classic Final Girl archetype, must investigate and, in true slasher style, learn to swing an axe to save herself and whoever is left.

Book cover for Heads Will Roll by Josh Winning. Against a black background, three roasting sticks are held up - two with toasted marshmallows and the third being a blood-dripping axe. "Heads Will Roll" is printed in large hand-lettered white and red text at the bottom, with the author's name "Josh Winning" below it in orange. A silhouette of a red pine forest runs along the bottom. A blurb at the top reads: "Bloody, uplifting, and fun! Should come with a bucket of popcorn." — Gus Moreno, author of This Thing Between Us.

Maybe it was a bad joke? Maybe it was taken out of context? Maybe you just had a bad day and an even worse impulse? Heads Will Roll begins with Willow’s story when the internet and Hollywood were done with her, canceled her.

​Willow is a sitcom star who responds to a tweet at the wrong time and with the wrong language, and as a result loses her job, her fiancé, her money, and her apartment. So, if you are in an 80s-themed slasher horror, what do you do? You retreat to a secluded camp retreat in remote upstate New York.

​No phones. No social media. No electronics whatsoever.

Josh Winning knows his horror, and there are constant references to past movies, books, situations, and more throughout. Heads Will Roll wears its Friday the 13th hat proudly and takes on cancel culture. Winning explores critical LGBTQIA+ themes that shine a light on hypocritical leanings in our society.

​The campers aren’t teenagers making bad decisions. No, they’re adults making bad decisions, which can get a bit annoying and repetitive at times, but then again, the suspension of disbelief must be activated when reading this book.

​Every one of the characters has been publicly shamed, canceled, or otherwise chewed by the internet, so maybe, just maybe, they aren’t sure what the right decisions are anymore.

​It’s a good concept, and overall, Winning executes it with a classic summer-camp, 80s vibe, but be wary that some of the dots might not be as well connected as you would hope.

​I was suspicious of almost everyone at Camp Castaway, including Willow at one point.

​The social commentary feels real, sometimes intense, but real. Cancel culture as a horror metaphor is powerful.

​That said, the dialogue gets cringe-worthy in spots, almost cliché, and I wasn’t a fan of the omniscient text messages between many chapters. The ending happens quickly, and, as I said before, it leaves things a bit too loose, with unnecessary ambiguity and confusion. Not as tight as I was expecting.

​If you enjoy slashers and a masked killer stalking a camp excites you, Heads Will Roll is worth your time.

​Interested in the Horror/Thriller Book Club? Email reference@hobokenlibrary.org, or register for our next meeting by searching under Events on our website.

You can reserve it in the BCCLS system here.

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​Written by: Sean Willey

Information and Digital Services Assistant

TV Review: BBC’s The Hitchhiker’s Guide to the Galaxy (1981)

23 Jun

It’s completely absurd, and yet I was completely along for the ride. I hand it to the British who go about their comedy without warning or apology. Take it or leave it, but The Hitchhiker’s Guide to the Galaxy British humor and societal commentary at its best.

The title credits from the 1981 BBC miniseries reading "The Hitch Hikers Guide to the Galaxy by Douglas Adams — Adapted from the BBC Radio Series," displayed in metallic lettering against a starfield background.

In a way, it’s that absurdity, that choice to disregard the logical in favor of a radical representation of what life would be like if humans were completely annihilated. One though, Arthur Dent, is lucky enough to come face-to-face with the terms of the galaxy’s bureaucratic existence and its role in the inconvenience of life, the universe, and everything.

A still from the 1981 BBC miniseries showing Zaphod Beeblebrox with his prosthetic second head visible over his left shoulder, seated next to Arthur Dent in the cockpit of their spaceship. Both are wearing colorful, eclectic 1980s sci-fi costuming.

We begin with Arthur’s house about to be demolished for a bypass. But so is Earth. Thankfully, his friend, Ford Prefect, is an undercover researcher for the next edition of the intergalactic travel guide, The Hitchhiker’s Guide to the Galaxy. Ford finds a way to get them off Earth seconds before the Vogons, the universe’s most bureaucratic species, reduce it to rubble.

The Vogons don’t destroy Earth because they’re bad, but because the paperwork was filed on time and no one from Earth objected to the plans on display millions of miles away. It’s quite a commentary.

It’s six episodes of traveling in a bathrobe, stolen starships, a two-headed President of the Galaxy, a depressed robot named Marvin, whose vast intelligence makes him paranoid and depressed, and the search for the answer to the question of life.

A personal shoutout to Marvin – the paranoid robot engineered with Genuine People Personalities who loathes his existence and feels everyone should be as miserable as him. Depending on the day, he is completely relatable.

Arthur Dent, wearing a plaid bathrobe, sits on a rock beside Marvin the Paranoid Android — a boxy, silver robot standing to his left. Both look off into the distance.

Yes, this is 1981 BBC. Expect effects and props built solely from imagination. Although I quite enjoyed the old computer graphic overlays used throughout.

As the Guide tells us on its front cover, Don’t Panic. Sit back and enjoy the journey into one of Britain’s greatest comedic outputs (and cult followings).

P.S. The 2005 film staring Martin Freeman, Mos Def, Zooey Deschanel, and Alan Rickman as the voice of Marvin, does not disappoint either, but I recommend watching the TV series so you get the full scope of Douglas Adam’s created universe and farcical renderings of authority and management.

The TV series is available on Kanopy here. (Free with your Hoboken Public card).

DVD in the BCCLS system here.

Bluray in the BCCLS system here.

Interested in the book? Reserve it in the BCCLS system here or borrow as a digital audiobook here.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant