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Movie Pick and Review: Winchester (2018)

13 Aug

Gun heiress Sarah Winchester (Helen Mirren) builds a 7-story mansion. Staircases lead to nowhere, and 100’s of rooms open to only walls. Honestly, I thought this was an exaggerated historical fiction account, but no, this is a inspired by true story.

Movie poster for Winchester, featuring Helen Mirren as Sarah Winchester, standing in black mourning attire and holding a large ring of keys in front of an ornate window. Text reads "Inspired by True Events at the Most Haunted House in History."

The house in San Jose, California, is still standing and open for tours, and many consider it the most haunted residential house in the United States.

Sarah Winchester, widow of William Winchester and heiress to the Winchester fortune, demanded and ordered this house be built around the clock, but workers were given no master plan.

Two-part composite image of the real Winchester Mystery House in San Jose, California. The top photo is a black-and-white historical image showing the sprawling Victorian mansion's turrets, gables, and irregular rooflines. The bottom photo is a modern color aerial view of the same house, showing its maze-like layout of red-roofed sections, courtyards, and surrounding gardens.

The house was a 38-year construction project started in 1866 and had a total of 160 rooms winding 7 floors until a 7.8 magnitude earthquake leveled the house to it’s current four stories (top picture).

Today (bottom), though, the structure is still a labyrinth of hallways, 40 bedrooms, six kitchens, 2,000 doors, 10,000 window panes, and 47 fireplaces with only 17 chimneys. Doors really do lead straight into walls and windows are on the floor. One in the séance room opens up to nothing but an eight-foot drop directly to a sink.

Why would someone want a house with over a hundred rooms, staircases leading to ceilings, doors that open to drops, and staircases that wind in maze-like fashion?

Sarah is convinced she’s cursed by the sins of her fortune, so all this is meant to ward off the spirits killed by her family’s product.

If she can build a house so confusing, perhaps it will confuse them and keep them contained.

In 1906, the company’s board sends Dr. Eric Price (Jason Clarke), a drug-dependent psychiatrist, to declare her unfit to run the business. This is not a mission of goodwill on the board’s part. Instead, Dr. Price starts seeing these ghosts in gruesome fashion.

Is it the drugs or the actual suspicions of Sarah manifesting?

Mirren, as always, is committed to her role and takes a script that seems to want to be a bit too jump scary back to the true story’s more gothic and macabre roots. The house, too, is a character in itself, and the movie leans hard into its confusing architecture.

I must be honest: if it wasn’t for these two stars, the story would simply be another jump-scare, stereotypical ghost-with-a-grudge story. The beats (while I admit I still jumped) can be obvious, especially for a vetted haunted house movie watcher. However, if you, the viewer, tap into the guilt and grief behind the moral and repercussive pain of Sarah Winchester, then it’s quite a lovely gothic homage to the moral message of the monuments, big and small, each of us has built for the ones hurt (even if indirectly) by our doings.

This is where I have to be honest: the ghosts are pretty predictable. Jump scares, a vengeful spirit with a grudge, etc. Fans of haunted-house movies will see many of these coming. But, there’s a much stranger, sadder movie underneath about guilt, grief, and a woman literally building a monument to everyone her husband’s business ever hurt.

Winchester is a good scary-night movie, helped by the fact that sometimes history is scarier than fiction.

Reserve the Bluray in the BCCLS system here or the DVD in the BCCLS system here.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant

TV Review: BBC’s The Hitchhiker’s Guide to the Galaxy (1981)

23 Jun

It’s completely absurd, and yet I was completely along for the ride. I hand it to the British who go about their comedy without warning or apology. Take it or leave it, but The Hitchhiker’s Guide to the Galaxy British humor and societal commentary at its best.

The title credits from the 1981 BBC miniseries reading "The Hitch Hikers Guide to the Galaxy by Douglas Adams — Adapted from the BBC Radio Series," displayed in metallic lettering against a starfield background.

In a way, it’s that absurdity, that choice to disregard the logical in favor of a radical representation of what life would be like if humans were completely annihilated. One though, Arthur Dent, is lucky enough to come face-to-face with the terms of the galaxy’s bureaucratic existence and its role in the inconvenience of life, the universe, and everything.

A still from the 1981 BBC miniseries showing Zaphod Beeblebrox with his prosthetic second head visible over his left shoulder, seated next to Arthur Dent in the cockpit of their spaceship. Both are wearing colorful, eclectic 1980s sci-fi costuming.

We begin with Arthur’s house about to be demolished for a bypass. But so is Earth. Thankfully, his friend, Ford Prefect, is an undercover researcher for the next edition of the intergalactic travel guide, The Hitchhiker’s Guide to the Galaxy. Ford finds a way to get them off Earth seconds before the Vogons, the universe’s most bureaucratic species, reduce it to rubble.

The Vogons don’t destroy Earth because they’re bad, but because the paperwork was filed on time and no one from Earth objected to the plans on display millions of miles away. It’s quite a commentary.

It’s six episodes of traveling in a bathrobe, stolen starships, a two-headed President of the Galaxy, a depressed robot named Marvin, whose vast intelligence makes him paranoid and depressed, and the search for the answer to the question of life.

A personal shoutout to Marvin – the paranoid robot engineered with Genuine People Personalities who loathes his existence and feels everyone should be as miserable as him. Depending on the day, he is completely relatable.

Arthur Dent, wearing a plaid bathrobe, sits on a rock beside Marvin the Paranoid Android — a boxy, silver robot standing to his left. Both look off into the distance.

Yes, this is 1981 BBC. Expect effects and props built solely from imagination. Although I quite enjoyed the old computer graphic overlays used throughout.

As the Guide tells us on its front cover, Don’t Panic. Sit back and enjoy the journey into one of Britain’s greatest comedic outputs (and cult followings).

P.S. The 2005 film staring Martin Freeman, Mos Def, Zooey Deschanel, and Alan Rickman as the voice of Marvin, does not disappoint either, but I recommend watching the TV series so you get the full scope of Douglas Adam’s created universe and farcical renderings of authority and management.

The TV series is available on Kanopy here. (Free with your Hoboken Public card).

DVD in the BCCLS system here.

Bluray in the BCCLS system here.

Interested in the book? Reserve it in the BCCLS system here or borrow as a digital audiobook here.

Comment below your thoughts once you’ve had a watch.

Hit subscribe to get weekly updates on posts from the Hoboken Public Library!

Written by:
Sean Willey
Information and Digital Services Assistant