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Movie Pick and Review: Winchester (2018)

13 Aug

Gun heiress Sarah Winchester (Helen Mirren) builds a 7-story mansion. Staircases lead to nowhere, and 100’s of rooms open to only walls. Honestly, I thought this was an exaggerated historical fiction account, but no, this is a inspired by true story.

Movie poster for Winchester, featuring Helen Mirren as Sarah Winchester, standing in black mourning attire and holding a large ring of keys in front of an ornate window. Text reads "Inspired by True Events at the Most Haunted House in History."

The house in San Jose, California, is still standing and open for tours, and many consider it the most haunted residential house in the United States.

Sarah Winchester, widow of William Winchester and heiress to the Winchester fortune, demanded and ordered this house be built around the clock, but workers were given no master plan.

Two-part composite image of the real Winchester Mystery House in San Jose, California. The top photo is a black-and-white historical image showing the sprawling Victorian mansion's turrets, gables, and irregular rooflines. The bottom photo is a modern color aerial view of the same house, showing its maze-like layout of red-roofed sections, courtyards, and surrounding gardens.

The house was a 38-year construction project started in 1866 and had a total of 160 rooms winding 7 floors until a 7.8 magnitude earthquake leveled the house to it’s current four stories (top picture).

Today (bottom), though, the structure is still a labyrinth of hallways, 40 bedrooms, six kitchens, 2,000 doors, 10,000 window panes, and 47 fireplaces with only 17 chimneys. Doors really do lead straight into walls and windows are on the floor. One in the séance room opens up to nothing but an eight-foot drop directly to a sink.

Why would someone want a house with over a hundred rooms, staircases leading to ceilings, doors that open to drops, and staircases that wind in maze-like fashion?

Sarah is convinced she’s cursed by the sins of her fortune, so all this is meant to ward off the spirits killed by her family’s product.

If she can build a house so confusing, perhaps it will confuse them and keep them contained.

In 1906, the company’s board sends Dr. Eric Price (Jason Clarke), a drug-dependent psychiatrist, to declare her unfit to run the business. This is not a mission of goodwill on the board’s part. Instead, Dr. Price starts seeing these ghosts in gruesome fashion.

Is it the drugs or the actual suspicions of Sarah manifesting?

Mirren, as always, is committed to her role and takes a script that seems to want to be a bit too jump scary back to the true story’s more gothic and macabre roots. The house, too, is a character in itself, and the movie leans hard into its confusing architecture.

I must be honest: if it wasn’t for these two stars, the story would simply be another jump-scare, stereotypical ghost-with-a-grudge story. The beats (while I admit I still jumped) can be obvious, especially for a vetted haunted house movie watcher. However, if you, the viewer, tap into the guilt and grief behind the moral and repercussive pain of Sarah Winchester, then it’s quite a lovely gothic homage to the moral message of the monuments, big and small, each of us has built for the ones hurt (even if indirectly) by our doings.

This is where I have to be honest: the ghosts are pretty predictable. Jump scares, a vengeful spirit with a grudge, etc. Fans of haunted-house movies will see many of these coming. But, there’s a much stranger, sadder movie underneath about guilt, grief, and a woman literally building a monument to everyone her husband’s business ever hurt.

Winchester is a good scary-night movie, helped by the fact that sometimes history is scarier than fiction.

Reserve the Bluray in the BCCLS system here or the DVD in the BCCLS system here.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant

Radio/Movie Combo: Something Wicked This Way Comes by Ray Bradbury

6 Aug

Ray Bradbury’s 1962 novel about a sinister carnival rolling into a small Illinois town one week before Halloween is one of his most iconic and thought-inducing tales. I’m a sucker for a classic Devil vs. Good tale.

Cover for Something Wicked This Way Comes, produced by The Colonial Radio Theatre. A dark silhouette of a figure in a top hat stands centered against a moody blue twilight sky, with a large Ferris wheel framing the figure from behind. The title "Something Wicked This Way Comes" appears in white hand-written script. "Ray Bradbury" is printed in large white letters at the top, with "The Colonial Radio Theatre on the Air Presents" above the figure and "With Jerry Robbins and the Colonial Radio Players" along the bottom.

For those unfamiliar, Something Wicked This Way Comes is Bradbury’s 1962 dark fantasy horror novel about two teenage boys, Will and Jim, who confront a supernaturally sinister carnival led by Mr. Dark. The carnival preys on secret desires, offering wishes at a terrible price. The boys and Will’s father fight the carnival and Mr. Dark to save themselves and the town. I’d also consider it a coming-of-age story that pokes at the fear of growing old.

The Radio Production.
I admit, I haven’t read the book, and while searching for it I found a gem – the live radio production, dramatized by Bradbury himself, from the Colonial Radio Theatre complete with a full cast, sound effects and original music.

This is Bradbury’s work, and not just a regurgitated word-for-word reading, which makes it a lot of fun to, frankly, close your eyes and watch the imagery flow.

The key sense, obviously, to tap into here is hearing – you hear the carnival arrive, Mr. Dark get defeated, the boys run for their lives, and even in the hesitation of the dialogue.

The Film (1983)

Movie poster for Something Wicked This Way Comes (1983). Two boys' faces emerge from swirling red and blue smoke at the top. Below, a man in a top hat and suit stands in front of a carnival featuring a Ferris wheel and tents. The title reads, "Ray Bradbury's Something Wicked This Way Comes" in white lettering, with the Disney logo at the top.

Directed by Jack Clayton with the screenplay by Bradbury, this film stars Jason Robards as Charles Halloway, a middle-aged, worn-down librarian, and Jonathan Pryce as Mr. Dark, the carnival owner who collects human souls.

This is early Disney storytelling, so the dialogue is a little cringy and the structure a bit wobbly, but overall it is an endearingly satisfying heroic-arc tale that honors Bradbury’s manuscript well.

Bradbury reportedly had issues with some production changes, but, in the end, the film was a general success, and Bradbury accepted the retelling.

My assessment. It’s imperfect, but it’s innocent in how the boys see the world. I also loved James Horner’s score.

If you haven’t read the book, start with the movie first, so you can better imagine the radio production.

Find the radio production in Hoopla here.

Reserve the movie in the BCCLS system here.

Comment below your thoughts once you’ve had a watch and listen.

Hit subscribe to get weekly updates on posts from the Hoboken Public Library!

Written by:
Sean Willey
Information and Digital Services Assistant