Archive | horror RSS feed for this section

Horror/Thriller June Book Club Pick: Heads Will Roll by Josh Winning

30 Jun

Knock Knock; Nancy is a local campsite story no one takes seriously until knock knock knocks are heard. She was a witch beheaded who now knocks on cabin doors after dark, and takes your head if you answer. One by one, campers are gone, until Willow, playing the classic Final Girl archetype, must investigate and, in true slasher style, learn to swing an axe to save herself and whoever is left.

Book cover for Heads Will Roll by Josh Winning. Against a black background, three roasting sticks are held up - two with toasted marshmallows and the third being a blood-dripping axe. "Heads Will Roll" is printed in large hand-lettered white and red text at the bottom, with the author's name "Josh Winning" below it in orange. A silhouette of a red pine forest runs along the bottom. A blurb at the top reads: "Bloody, uplifting, and fun! Should come with a bucket of popcorn." — Gus Moreno, author of This Thing Between Us.

Maybe it was a bad joke? Maybe it was taken out of context? Maybe you just had a bad day and an even worse impulse? Heads Will Roll begins with Willow’s story when the internet and Hollywood were done with her, canceled her.

​Willow is a sitcom star who responds to a tweet at the wrong time and with the wrong language, and as a result loses her job, her fiancé, her money, and her apartment. So, if you are in an 80s-themed slasher horror, what do you do? You retreat to a secluded camp retreat in remote upstate New York.

​No phones. No social media. No electronics whatsoever.

Josh Winning knows his horror, and there are constant references to past movies, books, situations, and more throughout. Heads Will Roll wears its Friday the 13th hat proudly and takes on cancel culture. Winning explores critical LGBTQIA+ themes that shine a light on hypocritical leanings in our society.

​The campers aren’t teenagers making bad decisions. No, they’re adults making bad decisions, which can get a bit annoying and repetitive at times, but then again, the suspension of disbelief must be activated when reading this book.

​Every one of the characters has been publicly shamed, canceled, or otherwise chewed by the internet, so maybe, just maybe, they aren’t sure what the right decisions are anymore.

​It’s a good concept, and overall, Winning executes it with a classic summer-camp, 80s vibe, but be wary that some of the dots might not be as well connected as you would hope.

​I was suspicious of almost everyone at Camp Castaway, including Willow at one point.

​The social commentary feels real, sometimes intense, but real. Cancel culture as a horror metaphor is powerful.

​That said, the dialogue gets cringe-worthy in spots, almost cliché, and I wasn’t a fan of the omniscient text messages between many chapters. The ending happens quickly, and, as I said before, it leaves things a bit too loose, with unnecessary ambiguity and confusion. Not as tight as I was expecting.

​If you enjoy slashers and a masked killer stalking a camp excites you, Heads Will Roll is worth your time.

​Interested in the Horror/Thriller Book Club? Email reference@hobokenlibrary.org, or register for our next meeting by searching under Events on our website.

You can reserve it in the BCCLS system here.

​Hit subscribe to get the Hoboken Public Library Blog delivered to your inbox!

​Written by: Sean Willey

Information and Digital Services Assistant

Movie Review: Children of the Corn (1984)

11 Jun

How this movie/Stephen King turned driving through a cornfield (a pretty boring experience, trust me, as a Midwesterner) into one of the most horrifyingly claustrophobic and isolated cult rituals I have ever seen is brilliant. 

Movie poster for Children of the Corn, 1984. A silhouetted hand raises a sickle against a blood-red sky above a dark cornfield. The title "Children of the Corn" appears in bold white text at the bottom.

I discovered the movie while researching comparable titles to my own next novel. I always knew it existed but, for some reason, it never quite appealed to me, until I learned it was based on a Stephen King short story. That pushed me over the edge. 

What makes Children of the Corn classic horror is its roots in the fear of sensory deprivation.

Burt and Vicky are driving through Nebraska when they accidentally hit a child. They swear he came straight out of nowhere. And when there are miles and miles of tall, sun-bleached, waving corn blowing in the wind, there is simply no way to tell what’s hiding inside of it. That image,  simple as it sounds, is the beating heart of this film.

The two scramble with how to deal with this, and the further they go into the endlessness of the roads ahead, the more they find themselves circling nothing but corn, decimated storefronts, and evasive, guarded residents. This leads them to the ghost town of Gatlin. 

But that’s just what the surface shows.

Underneath, a twisted cult-preacher boy named Isaac and his second-in-command, Malachai, run the town. No adults remain. He Who Walks Behind the Rows commanded the children to slaughter every one of them.

A scene from Children of the Corn. A group of children sit in a circle at the edge of a cornfield. A boy stands at the center. Behind him is a police officers skeleton perched as a scarecrow attached to a tall wooden cross made of dried corn stalks.

Thus, Burt and Vicky’s crime is a simple one: being adults in the wrong place at the terribly wrong time.

One of King’s early literary inspirations was William Golding’s Lord of the Flies, and it shows here. Children of the Corn is about the terrifying idea of a world without rules, without adults, without the structures we’ve grown complacent to. It takes one of the most ordinary and mundane American settings, a small town where a stranger would expect a friendly hello, a polite wave, and easy hospitality, and makes everything in it disturbing and petrifying.

The corn breathes alongside them, growing more unsettling with every scene.

I won’t go into the rich undercurrents of fundamentalism, cult and folk ritual, or the movie’s representation of self-imposed malicious parentification. 

The movie created such a powerful dread that it spurred a new archetype for the genre: The Children of the Corn Dynamic – youth-led groups or cults that completely overthrow and control the adult population (King, 1978; TV Tropes).

P.S. Do not confuse this with the 2023 remake/reboot. The original is much more worth your time!

Reserve your DVD copy in the BCCLS system here.

Bluray here.

Or, read the short story published in 1977 on Overdrive/Libby.

Comment below your thoughts once you’ve had a watch.

Hit subscribe to get weekly updates on posts from the Hoboken Public Library!

Written by:
Sean Willey
Information and Digital Services Assistant