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Movie Review: Children of the Corn (1984)

11 Jun

How this movie/Stephen King turned driving through a cornfield (a pretty boring experience, trust me, as a Midwesterner) into one of the most horrifyingly claustrophobic and isolated cult rituals I have ever seen is brilliant. 

Movie poster for Children of the Corn, 1984. A silhouetted hand raises a sickle against a blood-red sky above a dark cornfield. The title "Children of the Corn" appears in bold white text at the bottom.

I discovered the movie while researching comparable titles to my own next novel. I always knew it existed but, for some reason, it never quite appealed to me, until I learned it was based on a Stephen King short story. That pushed me over the edge. 

What makes Children of the Corn classic horror is its roots in the fear of sensory deprivation.

Burt and Vicky are driving through Nebraska when they accidentally hit a child. They swear he came straight out of nowhere. And when there are miles and miles of tall, sun-bleached, waving corn blowing in the wind, there is simply no way to tell what’s hiding inside of it. That image,  simple as it sounds, is the beating heart of this film.

The two scramble with how to deal with this, and the further they go into the endlessness of the roads ahead, the more they find themselves circling nothing but corn, decimated storefronts, and evasive, guarded residents. This leads them to the ghost town of Gatlin. 

But that’s just what the surface shows.

Underneath, a twisted cult-preacher boy named Isaac and his second-in-command, Malachai, run the town. No adults remain. He Who Walks Behind the Rows commanded the children to slaughter every one of them.

A scene from Children of the Corn. A group of children sit in a circle at the edge of a cornfield. A boy stands at the center. Behind him is a police officers skeleton perched as a scarecrow attached to a tall wooden cross made of dried corn stalks.

Thus, Burt and Vicky’s crime is a simple one: being adults in the wrong place at the terribly wrong time.

One of King’s early literary inspirations was William Golding’s Lord of the Flies, and it shows here. Children of the Corn is about the terrifying idea of a world without rules, without adults, without the structures we’ve grown complacent to. It takes one of the most ordinary and mundane American settings, a small town where a stranger would expect a friendly hello, a polite wave, and easy hospitality, and makes everything in it disturbing and petrifying.

The corn breathes alongside them, growing more unsettling with every scene.

I won’t go into the rich undercurrents of fundamentalism, cult and folk ritual, or the movie’s representation of self-imposed malicious parentification. 

The movie created such a powerful dread that it spurred a new archetype for the genre: The Children of the Corn Dynamic – youth-led groups or cults that completely overthrow and control the adult population (King, 1978; TV Tropes).

P.S. Do not confuse this with the 2023 remake/reboot. The original is much more worth your time!

Reserve your DVD copy in the BCCLS system here.

Bluray here.

Or, read the short story published in 1977 on Overdrive/Libby.

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant

The Isle (2018) on Kanopy: Isolated Folk Horror

28 May

The folk horror of The Isle is eerily cold and disorienting, yet with an intriguing Celtic flair.

Movie poster for "The Isle" featuring a lone female figure in a white blouse and dark skirt standing partially obscured behind a large tree trunk in a dense, fog-filled forest covered in vivid green moss. The title "THE ISLE" is displayed in lettering at the bottom.

The story has been seen before, so for me it was more about how the world was built and how it contributed to the horror. The Scottish island, set in 1846, did the trick with its fog constantly seeping in and its unsettling cliffs sprouting just far enough apart to create the illusion that there was nowhere to hide.

The story follows three sailors who wash ashore after a shipwreck and find themselves among a tight-lipped handful of locals. Why would only four people live on an island? Where did everyone else go? The restraint in answering these questions is where the horror comes in, a chilling sense that maybe these sailors are being bamboozled and sidetracked simply because the residents want company. My recommendation: surrender to the atmosphere and let the overcast skies, the locals’ hesitancy, and the craggy rocks build the bleak suspense.

Beneath the ghostly surface (with a curse well-played, in my opinion), the movie is about the myths and fears permeating isolated communities that have limited outlets to construct a better reality and survive beyond their history. There’s a connection to the likes of The Wicker Man and The Lighthouse in this tradition, treating world-building as a character rather than just a backdrop. Fans of literary horror in that vein should be intrigued by The Isle.

The pacing, while quick to unsettle me in the beginning, tested me a bit in the middle, but it’s a deliberate ambiguity designed to leave certain answers unresolved, and I enjoy a film that takes pride in letting the world linger on you days after just as much as the characters.

Watch now on Kanopy (Free with your library card).

Comment below your thoughts once you’ve had a watch.

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Written by:
Sean Willey
Information and Digital Services Assistant