The Past, Present, and Future Tech: How to be a Victorian, The End of Absence, and Neuromancer

20 May

In the past 11 ½ years that I’ve been at the library, I’ve seen a huge change in how people access materials and stay connected.  Back in 2013, we had a few people using laptops accessing our wifi, but now along with large amounts using laptops, I see many people using smartphones and tablets as well.  We had a few reference databases when I started, but now you can access even more 24/7 reference resources, eBooks, downloadable music, and now even movies and TV shows from Hoopla.  It truly is an exciting time to be a librarian, as libraries and society quickly evolve in ways Melvil Dewey, Thomas Hatfield (HPL’s first librarian), and other early librarians could not have imagined.  In honor of this I wanted to look at three books that span the tech revolution from life in the early industrial revolution days of Victorian England, our present information revolution, and William Gibson’s classic cyberpunk dystopian view of the future.

The End of Absence: Reclaiming What We’ve Lost in a World of Constant Connection, by Michael Harris.

end-of-absence

I was intrigued to read Michael Harris’ The End of Absence which focuses on what we as a society and individuals might be losing with all the exciting technology gains we are making.  My life would be very different today without the digital world since I found my current job, my husband, my grad school roommate, my previous apartment, some friends, and three pet cats all online.  Harris likens the current changes to those that followed the invention of the printing press and a move away from oral traditions to the printed word.  The End of Absence is part sociology, part philosophical work, with a bit of memoir thrown in.  I found the studies he quoted were mentioned so briefly and the meandering focus, made me drawn to the more personal aspects of the piece that occurred in the second half including when he attempted Analog August where he attempted to return to the lack of tech of his childhood including taping a cord to tether his cell phone so he couldn’t use it outside his home.  For someone who was taking a stance towards the negatives of technology, he surprisingly met his partner online.  I think in the end, the world The End of Absence describes calls for a need for balance.  Technology has great promise, but should not replace basic human interactions.  As the library has increased our digital offerings, we have also increased programs and study space to feed the need for social interaction and quiet learning that may be even greater now in the evolving digital age.

Neuromancer, by William Gibson.

neuromancer
I couldn’t help when reading The End of Absence thinking of the Cyberpunk genre of science fiction, where the future may be high tech, but society has begun to fall apart.  My husband is a huge fan of cyberpunk including movies like the Matrix and his favorite Blade Runner.  Nothing typifies this genre like William Gibson’s 1984 classic Neuromancer, which I was inspired to reread again twenty some years after I had my first encounter.  The novel tells of a damaged computer hacker, Case, who is “fixed” by his mysterious employer in order for him to assist in an epic dangerous hack.   I felt the slang that Gibson uses for his characters was engaging and the twists and turns the story takes as told from the addled perspective of the main character were exiting even if some of the technology depictions seem now dated.  Although the characters with their criminality are not the most sympathetic bunch, I found there was something very charismatic about Molly, the main female protagonist, who due to having permanently had lenses affixed to her eye sockets can no longer cry, but when sad must spit the way her tear ducts have been rerouted.  She also retractable cat-like claws.  This engaging femme fatale first appeared in Gibson’s Johnny Mnemonic and returns in his Mona Lisa OverdriveThe dystopian high tech Japan Gibson created as the main background is compelling, even if as with the rest of his future world, you might not want to live there.

How to be a Victorian: A Dawn-to-Dusk Guide to Victorian Life, by Ruth Goodman.

how-to-be-a-victorian

All this talk of high tech dystopia, made me long for the simpler times of the past.  Ruth Goodman’s How to be a Victorian does a great job of capturing the Victorian daily life.  What I especially liked is she brings some of her personal experiences as a reenactor to the account so she describes not only what would have been worn such as a corset or tasks which would have done such as doing laundry, but as a modern woman what that experience is like.  It made me realize how often we look back at the past with nostalgia, but that often new technologies free us from hard manual labor.  The book looks at the lives of all levels of Victorian society from the poor, to the working class, to middle class, to the wealthy.  Although Goodman is British and the book was originally published in the UK some specific American differences in lifestyle for the Victorian era are mentioned.  I especially thought the section dealing with medical practices was fascinating with its look at the balance between the new “scientific” beliefs of male doctors as contrasted with the herbal and folk remedies practiced by wives and mothers.  It made me wonder which of our medical practices in another hundred years may appear to be barbaric and silly.  Goodman spends quite a bit of focus on Victorian dress and styling so those looking to create authentic costumes or get inspiration for fanciful Steampunk creations may enjoy her descriptions.  There are some black and white and a few full color illustrations included.  As much fun as going to a recreation Victorian tea party may be, I feel lucky to live in our present era with its washing machines, dishwashers, and other modern conveniences.

-Written by Aimee Harris, Head of Reference

The Women of Mad Men and Call the Midwife

13 May

I am a graduate of Douglass College (DC ‘04), an all-women’s school that was part of Rutgers University. In 2007, Douglass College and three other liberal arts schools were all combined to become the School of Arts and Sciences (SAS). When the merger was first proposed, Douglass alumnae (myself included) protested, and ultimately a compromise was reached that led to the creation of the Douglass Residential College (DRC). Women attending SAS can choose to live at DRC, which offers them special programs and opportunities to excel that are central to Douglass’s mission.

Last month brought a new conflict. Rutgers University wants to fold the Associate Alumnae of Douglass College (the main fundraising body for DC/DRC) into the Rutgers Foundation with the goal of streamlining all fundraising. However, it is not clear if gifts donated to Douglass will go directly to DRC, which is concerning. Again, Douglass alumnae protested and mobilized to Save the AADC. (#SaveAADC) On May 1 there was a rally on DRC, which my friend and fellow alumnae Stephanie attended with her two young sons. (Gotta start kids early in activism!) This issue hasn’t been resolved and is headed toward mediation. Details can be found here.

The quick action of my classmates and sister alumnae, and the pictures from the rally I saw on social media, inspired me to think about my favorite female characters that I admire on TV, most of whom are on Mad Men and Call the Midwife.

Mad Men 

mad-men

Mad Men, a show set in a 1960s Madison Avenue advertising agency that followed the lives of the employees and the events of that turbulent decade, has long been appointment television for me. (This is rare for me, which I’ve previously written about on this blog!) I enjoy discussing Mad Men with my dad, who graduated high school in 1968 and remembers the 1960s well. I am excited to see how it all ends this Sunday when the series finale airs.

I loved following the stories of the women of Mad Men, Betty, Peggy, and Joan. The show was set before the women’s movement gained traction in the 1970s and never shied away from the issues women living and working at the time faced, such as sexual harassment, unequal pay, and discrimination–issues that still exist in 2015, sadly.

Betty Draper Francis (played by January Jones) is a victim of her time–a Bryn Mawr educated woman who was a model but then became a housewife suffering from “the problem that has no name” described in Betty Friedan’s groundbreaking book, The Feminine Mystique. Watching Peggy Olson (Elizabeth Moss) ascend from the secretary pool to become Copy Chief was thrilling but bittersweet because she had to sacrifice more and work much harder than her male colleagues to succeed. Joan Holloway Harris (Christina Hendricks) was the office manager who became a partner at the firm in a controversial manner, but proved herself as a capable ad exec when she brought in Avon as a client.

All seasons of Mad Men (with the exception of the last batch of episodes) are available to borrow from the Hoboken Public Library, and other BCCLS libraries, if you want to dive into this show or re-watch it again.

Season 1, Season 2, Season 3, Season 4, Season 5, Season 6, Season 7 Part 1

Call the Midwife

call-the-midwife

Call the Midwife, based on Jennifer Worth’s memoirs of the same name, follows the nurses and nuns of Nonnatus House that serve the Poplar community in South London in the late 1950s-early 1960s. As the show’s title indicates, much of their time is spent caring for expectant mothers and delivering newborns. The birth scenes are realistic (for TV) and employ real newborn babies, who by British law can only shoot scenes for 20 minutes at a time.

Women make up much of the cast, and their stories are diverse and interesting. Some of the nurses come from more privileged backgrounds and are at first horrified by the poverty they encounter in Poplar. I think Sister Monica Joan (played by Judy Parfitt), an elderly nun who suffers from dementia, is the most fascinating character. She no longer works as a nurse due to her condition, but in her moments of clarity she shares wisdom and sage advice with her fellow sisters and the younger nurses when they run into challenging situations.

Many of the stories Jennifer Worth’s first memoir, which I read and enjoyed, were used in the show. One story I liked that hasn’t been seen on the show was about how one young Poplar boy took it upon himself to protect Nurse Chummy (Miranda Hart), who was a target for teasing by the other children. Worth wrote that that young boy grew up to become a bodyguard for Princess Diana.

All four seasons of Call the Midwife are available to borrow, as well as the memoir. Jennifer Worth wrote two more books a about her time as a midwife, Call the Midwife: Shadows of the Workhouse and Call the Midwife: Farewell to the East End. Both are on my to-read list.

Season 1, Season 2, Season 3, Season 4

Who are your favorite female TV characters? Please share in the comments.

-Written by Kerry Weinstein, Reference Librarian