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Seventy Years from Evil

20 Apr

April 15/16 is Yom H’Shoah, the day on which Jews and other victims of the Nazis remember the horrors of the Holocaust.  Six million Jews were murdered by the Nazis, but an additional five to six million people went to their deaths for being gay, political enemies of the Nazis, disabled, Romany, or simply for trying to help their neighbors survive the war by hiding or helping them.  There have been other horrific genocides since then, but the Nazis set the template for the horrors of Cambodia, Rwanda, Bosnia, and Darfur.

This year, however, is even more important because 70 years ago, on April 15, the most notorious concentration camp, Auschwitz, was liberated.  There will be many commemorations of the event in large part because the remaining survivors will probably not be here for the 75th or 80th ceremonies.

The hardest question many parents and educators ask is when is the right time to start teaching about the Holocaust? The answer will be different for each child.  However, it is safe to say that children under the age of six should be shielded from the information. Some picture books that are not too detailed in the atrocities and focus mostly on the aftermath of the liberation of the camps, may be appropriate at age 8.  Mostly, however, you will want to look at ages 10 to 13 as the earliest age to introduce this subject to your child.

The list of books on the Holocaust, including first person accounts from survivors, is very long.  I could not possibly do a comprehensive list on this blog.  However, for guidance in teaching the Holocaust, check out the following websites:

The U.S. Holocaust Memorial MuseumAttached to the Smithsonian in Washington, D.C. this is the most comprehensive resource for information on the Holocaust.  If you can visit with your older children, it is an unforgettable experience.  You can also access their learning resources at www.ushmm.org/learn.

The National Museum of American Jewish History:  Located in Philadelphia, PA on Independence Mall, this is another arm of the Smithsonian.  You can find out about their resources, including an internet classroom program, at http://www.nmajh.org/Education/ or education@nmajh.org.

The USC Shoah FoundationThis is the organization that was founded by Steven Spielberg after he made Schindler’s List.  Its purpose is to record the testimonies of survivors of the period so that the memories of the victims will be perpetuated.

The Museum of Tolerance: Not only does this resource document the events of the Holocaust, it also works to prevent future events of hatred and even bullying.

This is a partial list of easily available (through your BCCLS.org library) books and films that are appropriate for younger audiences, and adults as well:

Anne Frank: The Diary of a Young Girl, by Anne Frank.

anne-frank-diary-of-a-young-girl

I include this because Anne is arguably the most well-known victim of the Nazis.  Her diary, however, ends with her captivity. In addition to the book, which I would suggest for ages 11 and up especially because of the much discussed conflicts between Anne and her mother, there have been several films and plays made based on the diary.  The most well-known film was made in 1959 and directed by George Stevens.  It is probably the most palatable for younger audiences because most of the serious conflict was removed and the love story between Anne and Peter Van Daam, is sweetly innocuous.  It also ends with a hopeful scene of birds wheeling in the Amsterdam sky.  Subsequently there was another American TV version made with Melissa Gilbert of Little House on the Prairie fame playing Anne.  Frankly, this is an inferior version.  The BBC have done at least two productions of the story, the most authentic and effective being  Anne Frank: The Whole Story, starring Sir Ben Kingsley as Otto Frank.  It is very well done.  It is also very graphic because it extends the story to time that Anne and her sister, Margot, spent in Bergen-Belsen before dying of typhus just weeks before the end of the war.  There is some mild nudity, but it is the hopelessness of Anne, at this point, that would be very hard for a child to grasp.  I would show this film to teens, ages 16 and up.

The Devil’s Arithmetic, by Jane Yolen.

devils-arithmetic

This was an award-winning book, several decades ago.  In the book, Hannah, a reluctant participant in Jewish ritual attends her family’s Passover seder where she hears oft-repeated stories of the Holocaust victim whose name she carries.  In events similar to the Wizard of Oz, Hannah becomes unconscious and awakes in a Polish village where she befriends her namesake and then is taken to a concentration camp.  Things do not go well for Hannah as she hears the doors of the gas chamber close behind her before she awakens, back home in time for D’ayenu.  There was a TV movie made of this book which suffered from some misguided casting, with Kirsten Dunst playing Hannah. However, the late Brittany Murphy was actually quite good as the Polish girl from the past.

The Extra, by Kathryn Lasky.

the-extra

This is an important book for teens primarily because it deals with the fate of the Romany (Gypsy) victims of the Holocaust.  A group of Romany inmates including Lilo, a teenage girl, are recruited to help Leni Riefenstahl make movies.  Riefenstahl was notoriously Hitler’s favorite movie maker and as the Romany group discovers, she was both a genius and a monster.  Adults might pursue the subject by reading Leni: The Life and Work of Leni Riefenstahl, by Steven Bach.

One Candle, by Eve Bunting.

one-candle

This is the elusive picture book for younger children, grades 3 to 6.  In this story, a family shares a much-told tale of how a relative celebrated Chanukah in the camps with a piece of salvaged candle that had to last for eight nights.

Nine Spoons: A Chanukah Story, by Marci Stillman.

nine-spoons

Similar to One Candle, this is the story of nine dedicated women who gather spoons, one for each night, so that they can have a makeshift menorah in the camps. Grades 3 to 6.

The Harmonica, by Tony Johnston.

harmonica

Based on a true story, this book tells the tale of a young boy who was given a harmonica by his father.  When he is imprisoned in the camps, the music he makes is his solace.  It also attracts the attention of a Nazi officer who commands him to play for him.  That music saved many prisoners is a fact.  This story is recommended for grades 3 to 6.

The Boy in the Striped Pajamas, by John Boyne.

boy-in-the-striped-pajamas

Bruno’s father receives a promotion that moves the whole family to the countryside.  Bruno is particularly unhappy to leave his friends and home behind.  He doesn’t understand that his father’s reassignment has made him the commandant of a concentration camp.  Bruno goes exploring and makes a new friend on the other side of a barbed wire fence.  The two boys, the prisoner and the commandant’s son, meet frequently and, one day, decide to try a trick of changing places.  It does not end well for Bruno.  This book is frequently referred to as “a fable.”  For me the problem comes in the intended age of the readers, perhaps 11 and up, and the age of the protagonist who is much younger.   There was a well-received movie based on the book if you wish to introduce it in a different media.

I Never Saw Another Butterfly: Children’s Drawings and Poems from Terezin Concentration Camp, 1942-44.

i-never-saw-another-butterfly

Image via Amazon

There are several books that deal with the dichotomy that was Terezin (or Theresienstadt).  Built on the site of an old Czech fortress, this camp was designed for show, so that visiting dignitaries and the Red Cross would see a lovely village populated by happy Jews.  The camp fronted something far more sinister.  However, while children were interned there, they were able to take classes in art, music and put on performances.  This book is a collection of some of the work the children produced.

Brundibar, by Tony Kushner with illustrations by Maurice Sendak.

brundibar

This is the beautifully drawn fable of a Czech village.  Aninka [in English Annette] and Pepíček (Little Joe) are a fatherless sister and brother. Their mother is ill, and the doctor tells them she needs milk to recover. But they have no money. They decide to sing in the marketplace to raise the needed money. But the evil organ grinder Brundibár [who represents Hitler] chases them away. However, with the help of a fearless sparrow, keen cat, and wise dog, and the children of the town, they are able to chase Brundibár away, and sing in the market square.  This opera was actually performed in Theresienstadt to the delight of the apparently clueless SS soldiers.

Fireflies in the Dark: The Story of Friedl Dicker-Brandeis and the Children of Terezin, by Susan Goldman Rubin.

fireflies-in-the-dark

This book covers the years in which the Czech artist, Dicker-Brandeis, was able to help the children of the camp produce art, poems, and stories.  Examples are inculded.

Auschwitz Explained to My Child, by Annette Wieviarka.

auschwitz-explained-to-my-child

As her child turns thirteen, the author, the child of Holocaust victims, decides to explain to her daughter the process of historical events that led from Hitler’s rise to power, through the discriminatory acts perpetrated on the Jews, to the incarceration and murder of Jews in the concentration camps.

Let the Celebrations Begin!, by Margaret Wild.

let-the-celebrations-begin

This is an anniversary edition of the original in which a small boy, imprisoned in the camps, enlists women in the barracks where he lives to make toys for other children who will be celebrating the day of their liberation.

The Flag with Fifty-Six Stars, by Susan Goldman Rubin.

flag-with-fifty-six-stars

With their liberators on their way, the residents of one concentration camp decide to make a flag to honor the Americans who will save them.  Based on a true story, the determination of the men to produce a flag from rags is awe-inspiring.  Grades 3 to 6.

On this seventieth anniversary, I quote Yehuda Bauer who said, ““Thou shalt not be a victim, thou shalt not be a perpetrator, but, above all, thou shalt not be a bystander.”   Books and movies can train up a new generation that will not be onlookers or perpetrators, but will help to build a better society for all.

-Written by Lois Rubin Gross, Senior Children’s Librarian

Kids Interacting with Books

8 Apr

Stephen Sondheim once wrote, in Gypsy, you got to have a gimmick and that seems to be the popular theme of today’s picture books for children.  It’s no longer enough to have beautiful pictures or glorious words.  The book has to be able to DO something and the child has to be engaged in the manipulation of the book or the story so that they’ll get to the end and start reading it again.

This is not a new phenomenon, but it has certainly picked up speed since the introduction of books by the French artist, Herve Tullet.  Tullet’s books, which actively engage the child in pushing, shaking, tilting, and turning the book, were quickly imitated and a whole new genre seems to have been born.

Naturally, these books depend more on illustrations that on words (with one notable exception), and call on the nascent humor of the child and the adult reading the book to improvise a relationship with what the author or illustrator has produced.

These are sure-fire kid-pleasers and, if your child doesn’t already have titles in this list in their personal library, you might want to go out and get them.  Also, these are terrific presents for other children in your life.

I like to say that these are interactive books that require no batteries and absolutely no screen time; just the amazing imagination of a child:

Press Here, by Herve Tullet.

press-here

The minute the child opens this book, he is engaged in activities.  The book directs the reader to press on dots, by number or color, to make them multiply.  Shaking the book makes all of the dots slide to one side or the other of the page.  Inverting the book makes the dots fall to the top or bottom of the page.  The book is on heavy stock and will take quite a bit of handling, but if your child loves it as much as most kids do, you might want to stockpile an extra to replace the first when it wears out.  When your child tires (it won’t happen!) of Press Here, you can move on to Mix It Up! which teaches colors and color mixing with the same “fingers on” approach, or Help! We Need a Title! which involves a monstrous assortment of characters in search of an author (et voila!  Tullet!) to produce a book.  Tullet makes a guest appearance as do a couple of referential jokes about his other books.  Great fun!

Go Away, Big Green Monster!, by Ed Emberly.

go-away-big-green-monster

Emberly, whose color-splashed, wildly drawn illustrations have been around for a while, pre-dates Tullet in reader involvement in his books.  This title is one we use regularly for non-scary monster story times. A black page with yellow eyeballs appearing in two holes starts the book and, with each turn of the page, the child builds, the elements of a monster face.  Giving the child control of the process, it is then time to make the monster go away so each page takes away one of the monstrous features.  At the end, the child has banished the monster and admonished him not to come back again.  At which point most kids scream, “Again,” and the monster building reemerges.

Tap the Magic Tree, by Christie Matheson.

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If imitation is the sincerest form of flattery, Matheson sincerely flatters Herve Tullet.  The illustrations, however, are more realistic, picturing a tree in different seasons with leaves and fruit coming and going at the child’s command.  The child can knock on the tree trunk to make apples fall off, or blow away autumn leaves ready to fall.  The clap of a child’s hands bring snow (please stop clapping, kids!) and as winter turns to spring again, birds nest in the tree and the process stars over.

Tap to Play, by Salina Yoon.

tap-to-play

If children drank (well, I hope they don’t) we could play a drinking game with each book that involves the word “tap” in the title.  This book, however, also features an adorable, animated dot named Blip, who has big round eyes.  Blip grows and shrinks, changes form and appearance based on the child’s manipulation of the book.  The book is framed as a game that the child and Blip are playing with the final result being Blip taking off, birdlike, and finding a Blippette girlfriend at the end of the book.  Kids will love it.

Duck! Rabbit!, by Amy Krouse Rosenthal and Tom Lichtenheld.

duck-rabbit

This award winning book from several seasons back plays on the optical illusion of a shape that can be either or a duck depending on your perspective.  An off-page voice debates as to whether the long protuberances are a duck’s bills or a rabbit’s long ears.  The duck/rabbit is tempted with carrots or bread to see which he responds to.  Water might be cooling or a place to swim.  The mystery of the ambiguous animal is never quite solved only to be replaced by an equally ambivalent anteater/dinosaur.

Warning: Do Not Open This Book!, by Adam Lehrhaupt.

warning-do-not-open-this-book

Any book that involves monkeys is bound to be funny.  So a book that is full of monkeys, baboons and apes has to be really, really funny.  However, kids have to be careful not to let the monkeys out of the book.  You know what happens when you let monkeys out of a book, right?  They all go a little crazy.  So does the book especially when they come up against an alligator.  But the child has control of the style.  The reader gets to set a monkey trap with, what else, a banana.  Then, under strict instructions from the author, the reader is told to close the book, but only till he or she opens it again and lets the monkey shines begin!

Can You Make a Scary Face?, by Jan Thomas.

can-you-make-a-scary-face

Jan Thomas has a whole series of interactive, boldly colored books that will not just engage your child, but reduce both of you to tears.  A very bossy (male) lady bug demands that your child stand up, sit down, eat a bug, blow it out of his mouth, and summon a gigantic frog.  For full effect, your child must do EVERYTHING the book tells him or her to do.  Two suggestions: the second time the bug tells your child to “Stand up,” you might tell them to sit down even though it isn’t written.  Otherwise, your child will be standing for the rest of the book.  Also, this lady bug needs a personality to be really funny.  When I tell it, he sounds like a refugee from a gangster movie.  You can develop your own character to make him both bossy and a scaredy cat.

The Book With No Pictures, by B.J. Novak.

book-with-no-pictures

This book has been the absolute hit of the year, written by B.J. Novak, the head writer of the TV show The Office. (He also played Ryan, the temp, Michael Scott’s long-suffering punching bag).  Novak has taken a book and proved that you don’t need pictures to make a picture book.  All you need is a gullible adult who is willing to do what the book says, whether it is to say nonsense words or read gross-out phrases like “Boo Boo Butt.”  That’s as bad as it gets. Honest.  The final page, when the reader has to go through a series of sounds, squeaks, and yodels to please the listener will have the kids in stitches and begging the reader to start again.

These books may not be lyrical or lovely, but they are certainly a lot of fun and they are guaranteed to give your child a new love for reading in all of its inventive forms.

-Written by Lois Rubin Gross, Senior Children’s Librarian