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Say Yes Please to Yes Please

14 Jan

I’ve long been a fan of Amy Poehler’s. My favorite movie of hers is Wet Hot American Summer, which came out before she appeared on Saturday Night Live and will soon be revived as a TV show on Netflix. I follow Amy Poehler’s Smart Girls at the Party on Facebook, Twitter, and Instagram. Not only is she funny, but she seems down to earth. When I heard she wrote a memoir called Yes Please, I couldn’t wait to read it.

yes-please

Amy chose the title Yes Please because the word “yes” calls back to her improv days (saying yes is the first rule of improv), and “please” means you’re agreeing to not do something alone. She also likes to use the phrase in her personal and professional life. I like that it sounds polite.

Yes Please is written like a series of essays. In the early chapters, Amy describes her family and growing up in suburban Boston, where not much happened so she compensated for that with an active imagination. She also gives helpful life advice, such as “treat your career like a bad boyfriend.” There are several shout-outs to Judge Judy, who I also admire.

Improv has played a huge role in Amy’s career and life. She fell in love with it while playing Dorothy in a grade school production of The Wizard of Oz. She writes about her time with the Upright Citizens Brigade improv group, where she met Tina Fey (whom Amy calls her “comedy wife”, and gets a chapter in the book), Rachel Dratch, Stephen Colbert, among others.

There are stories about her time on SNL, good and bad. (Although she doesn’t dish about which celebrity hosts behaved badly.) She writes about making her SNL debut after 9/11, which was poignant. I remember watching that first episode later that September, where in the cold open SNL creator Lorne Michaels asked then-Mayor Rudy Giuliani for “permission to be funny”. Amy admits to laughing on-air during a Debbie Downer sketch. The characters in the hilarious Bronx Beat sketches, performed with Maya Rudolph, were named after two ladies in the SNL hair department. In the chapter “Sorry, Sorry, Sorry”, Amy talks about a skit that offended a mutual acquaintance that she took a long time to apologize for and her regret over the delay.

It’s hard to choose a favorite chapter from Yes Please, but a contender is “The Day I Was Born”. Amy believes everyone should know about the day they were born. She tells her birthday story, with input from her parents. This prompted me to ask my parents about the day I was born. One highlight from my birthday, according to my mom, is when she found me in the nurse’s station hours after I was born having my hair combed by two nurses. I was born with a full head of red hair, and stood out from the other babies in the nursery.

Amy wrote an entertaining chapter about being nominated for major acting awards like Golden Globes and Emmys, which she nicknamed “the pudding”. To make the experience more fun and less stressful, she planned bits with her fellow Best Actress in a Comedy Emmy nominees. At the 2011 Emmys, Amy and the other nominees came on stage as their names were called and held hands like pageant contestants waiting to hear who gets the crown. The winner Melissa McCarthy received a bouquet of roses and a tiara in addition to “the pudding”.

After I read Yes Please, I loved Amy even more. I’m planning to listen to the audiobook of Yes Please, just so I can enjoy this wonderful book again.

This is my second post about funny lady memoirs, which I plan to continue as a series. (The first post was about Tina Fey’s book Bossypants.) Rachel Dratch has a memoir that I want to read. I’d love to read memoirs by other SNL performers, such as Maya Rudolph, Ana Gasteyer, and Kristen Wiig. Publishing execs, please give these ladies book deals!

Who are your favorite funny ladies? Do you know the story of the day you were born?

-Written by Kerry Weinstein, Reference Librarian

Films of Greta Garbo

10 Dec

A few weeks ago at the Landmark Loews Jersey Theatre, in Jersey City’s Journal Square, I saw Ninotchka, starring Greta Garbo. I was immediately taken with her talent, her beauty, and her Swedish accent and wanted to see more of her films. All I knew about Greta Garbo prior was that Madonna name-checked her in the song “Vogue” and that she was one of the biggest film stars in 1920s and 1930s.

Garbo had an impressive career in film, starting with silent movies in the 1920s–one to note is Flesh and the Devil from 1926. She transitioned to “talkies” in 1930 with Anna Christie. During her career, Garbo was nominated for four Oscars in the Best Actress category and won an Honorary Award from the Academy in 1955. After World War II Garbo retired from acting and moved to New York City, where she lived until her passing in 1990.

Anna Christie (1930)

anna christie

Greta Garbo’s first spoken line is heard in this movie, a film adaptation of a Eugene O’Neill play of the same name: “Gimme a whiskey.” Garbo plays the title role (for which she earned an Oscar nomination), a former prostitute from the midwest who comes to New York City to see her estranged father, a sailor who left after her mother passed away. She falls in love with another sailor that she and her father rescue, but worries that her past will impact her future happiness. The lighting is dark throughout the movie, which is extra striking since this picture is in black and white, and adds to the mood of the film.

Grand Hotel (1932)

grand hotel

Grand Hotel is set in a fancy hotel in Berlin and tells the intertwined stories of the hotel’s guests. Garbo plays Grusinskaya, a melancholy ballerina, who speaks the famous line “I want to be alone.” John Barrymore (whose character owns a dachshund, the cutest dogs in my opinion!), Lionel Barrymore, and Joan Crawford also star in the film, which won the Best Picture Oscar in 1932. As this film is set in a hotel, comings and goings are major theme. The Grand Hotel’s lobby even has a circular design, including a set of huge and ornate revolving doors. Check out this film if you want to see classic cinema at its finest.

Ninotchka (1939)

ninotchka

Ninotchka was released in 1939, an excellent year of cinema, which my colleague Lois has discussed in her post about The Wizard of Oz. In her first comedic role, Garbo plays Ninotchka, an envoy from Russia who comes to Paris after her colleagues Razinin*, Iranoff, and Buljanoff (a trio that reminded me of The Three Stooges) lose track of their mission. There she falls in love with Leon, played by Melvyn Douglas. A notable fact about this film is that it is the first time that Garbo can be heard on screen laughing–note that tagline on the image, “Garbo laughs”. My favorite scene is when Ninotchka gets kicked out of a ladies’ room at a swanky lounge for drunkenly preaching about how much she loves communism.

Are you a fan of Greta Garbo’s or of classic cinema?

-Written by Kerry Weinstein, Reference Librarian

*Bela Lugosi played Razinin, and every time he was on screen I thought of the classic goth song by Bauhaus, “Bela Lugosi’s Dead”.