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How Fascism Works: The Politics of Us and Them by Jason Stanley

7 Nov

Fascism
As the child of Holocaust survivors, Yale philosophy professor Jason Stanley grew up with an interest in how functioning democracies could turn toward fascism. While many students have held on to the post-World War II consensus that fascism was defeated and relegated to the history books, Stanley wrote How Fascism Works in response to the rise of fascist movements around the globe over the past several years. Using a blend of history, economics, psychology, and sociology, Stanley explains in a clear and concise terms how fascism is able to take hold of a society and why people living in democracies should be concerned about it. This is an important piece of scholarship for anyone with an interest in how we got to the point where we currently are in world history.

Stanley begins by acknowledging that “fascism” is an often over and imprecisely used term, but that there are tactics that are similar between fascist states such as the use of propaganda, the creation of a mythical past, extreme nationalism, and calls for “law and order.” From the Armenian Genocide to the rise of authoritarian figures like Rodrigo Duterte in the Philippines and Viktor Orban in Hungary, fascist regimes use economic crises to foment hatred by the majority against the minority. Fascism works when different racial, religious, and social groups are unable to build solidarity with each other and are instead divided and isolated from each other. That is why Labor unions, where workers of different backgrounds are most like to come together to support common goals, are often the most fiercely attacked under fascist regimes.

Stanley’s book may seem bleak, but understanding the conditions under which fascism arises can also feel empowering by providing the reader with the tools necessary to navigate the global politics of today. What I enjoyed most about Stanley’s book is how his writing remains accessible when explaining a topic that is incredibly complex and volatile. Stanley is also hesitant to make any conclusions about whether contemporary societies should be considered fascist or not. Rather, his strength lies in explaining fascist tactics that are being used in even the healthiest of democracies. By adding this level of nuance, Stanley creates a work that is more compelling and expansive than it would have been if he had only analyzed the fascist states of Nazi Germany and Mussolini’s Italy that most American students are familiar with.

Written by
Karl Schwartz
Young Adult Librarian

Closer You Are: The Story of Robert Pollard and Guided By Voices

3 Oct

CloserYouAre

In 2017, Robert Pollard, an indie rock legend from Dayton, Ohio, hit a milestone few musicians could ever dream of reaching: He released his 100th album. After more than three decades of manically recording at a light-speed pace, Pollard has created a discography so expansive that even he cannot remember everything he has written. Although he has flirted with mainstream success, he is followed by an obsessive fan base that rabidly consumes everything he releases. In Closer You Are, the first official biography written about Pollard, Matthew Cutter does an incredible job documenting a working class kid’s upbringing in the Rust Belt who would go on to have one of the most prolific and strangest careers in all of rock music.

I discovered Robert Pollard’s music as a DJ on my college radio station in the small upstate town of Geneseo, NY. The first time I found a CD of the album Bee Thousand by his band Guided by Voices in our station’s archive, I was mesmerized by the poorly recorded but insanely catchy batch of tunes with names like “Gold Star for Robot Boy” and “Kicker of Elves.” They were equally weird and familiar at the same time. I had never heard anything else like it.

Hoboken residents can stream or download songs from several of Guided by Voices albums from Freegal or those who prefer CDs can request their albums including Please be HonestLet’s Go Eat the Factory, and a Best Of.

Cutter does a great job describing Pollard’s creative process. Many of his song titles and lyrics come from nicknames he created for his students while he was an elementary school teacher in Dayton. He was obsessed with certain expressions and the sound of words, as seen in some of his most famous songs like “14 Cheerleader Coldfront” and “The Gold Heart Mountaintop Queen Directory.” He would often wake up and write several songs while drinking his morning coffee and a dozen more before dinner. A dash of mania, a hyper-competitive personality, and a classic Midwestern work ethic made it possible.

The other great joy of reading Pollard’s biography is experiencing the sheer determination he had to become a successful musician. His wife, parents, and the local music scene in Dayton all hated his early attempts at performing and encouraged him constantly to quit. Pollard didn’t even experience any level of fame until he was in his late 30s and had left a 14-year career as an elementary school teacher. By constantly firing his band mates and having the occasional fistfight, Pollard finally was able to put together his “classic” lineup for a band that would become loved by college rock nerds like myself throughout the county. Cutter’s book is an entertaining read for both fans and people who are just curious about the creative process of an artist with a genius level of output.

Written by
Karl Schwartz
Young Adult Librarian