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Imagining the Past and the Future: Neptune’s Brood and Queen Victoria’s Book of Spells

27 Sep

One of my favorite parts about reading is being able to explore new perspectives and new places.  Fantasy and Science Fiction also allow for the possibility to travel back in time to an alternate history where magical creatures exist or forward to the distance future when humans no longer do.  Charles Stross’s Neptune’s Brood is set thousands of years in the future when robots roam the universe to settle planets in honor of the dreams of their former creators.  The short story collection Queen Victoria’s Book of Spells, in contrast takes the reader back to the Victorian Era, but imagines the world alive with ghosts, witches, and fairies.

Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fantasy

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Queen Victoria’s Book of Spells edited by Ellen Datlow and Terri Windling contains a collection of fantasy short stories set in the Victorian and Edwardian period.  While Gaslamp Fantasy often brings up visions of Steampunk, in these stories rather than featuring dashing airship pilots and clever female inventors, there tends to be a greater focus on historical accuracy, but slipping in some elements of (often dark) fantasy.  The stories on the whole are much more interested in looking at the grittier aspects of life at the turn of the century and not simply the interesting inventions and costuming of the upper class.  The book includes original stories written for the collection.  I was familiar with some of the authors such as Gregory Maguire, Kathe Koja, and Tanith Lee, but I enjoyed majority of the stories in the book, even those of author’s I had never heard of.  There is also a nice variety throughout; one story is told through historical documents (some real and some imaginary), another is told through letters written back and forth between two authors, and another is written in an atypical second person perspective.  In two cases the stories expand on the lives of characters in period literature.  Some of the highlights of the collection for me are: Jeffrey Ford‘s “The Fairy Enterprise”, Veronica Schanoes’s “Phosphorus”, and Catherynne M. Valente’s “We Without Us Were Shadows.”  I was especially fond of the story from which the title is derived, Delia Sherman‘s “Queen Victoria’s Book of Spells.”  I liked not only the stories themselves, but also the historic notes that many of the authors included detailing the true details behind their tales.  This collection will appeal to historical fiction fans, even if they do not typically read fantasy stories.


Neptune’s Brood

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Neptune’s Brood by Charles Stross mixes hard science fiction with biting satire and a bit of mystery.  Some scifi works can read almost like fantasy where the technology seems to work by magic as much as physics, but here Stross has creatively thought out and explained how even the smallest detail works.  Neptune’s Brood is set in the same reality where humans have gone extinct as another Stross novel, Saturn’s Children, but much later in time and it is not necessary to read the previous novel to understand or enjoy this work.  Krina Alizond-114 searches for her missing “sister” Ana who was “spawned” at the same time by their “mother” Sondra Alizond-1 onboard the floating starship New California.  Sondra created her “daughters” in her image, but is by no means a loving mother, but instead had kept them as indentured servants, who are trained with specific areas of specialties that she deems useful such as Krina’s background in historical accounting. This is defiantly the most action packed book about financial practices that you will most likely ever read, though truthfully it is also the only fiction book I have encountered that does so in such depth.  I found the beginning of the novel, when Krina takes a working passage on a spaceship designed like a traveling cathedral based on a religion revolving around resurrecting humanity, to be a bit slow moving, but once Count Rudi, a bat like robot pirate, shows up things pick up considerably.  When Krina arrives at the Shin-Tethys, the water world where her sister was last seen, I couldn’t put the book down.  Krina’s destination ends in a discovery that will change not only her life, but all of her society’s; her journey illuminates our own present.

~Aimee Harris, Head of Reference

Gone Girl and Lost Girls: Two Tales of Six Girls

1 Sep

I recently realized that two books I read this summer were from different genres but similar as they were both about missing women: Gone Girl by Gillian Flynn (fiction) and Lost Girls: An Unsolved American Mystery by Robert Kolker (nonfiction).

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You may have already heard of Gone Girl. This popular thriller by Gillian Flynn topped many best-of lists last year. I happened upon a copy while shelving and grabbed it since it’s been so popular. Reese Witherspoon’s production company is adapting the story into a movie starring Ben Affleck and Rosamund Pike.

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The Girl that’s Gone is Amy Elliott Dunne, who mysteriously disappears from her home the morning of her fifth wedding anniversary. This book has two alternating narrators–her husband Nick and Amy, via journal entries, which I think is an interesting device. Which narrator should the reader trust? Who is telling the truth?

After Nick and Amy lost their jobs during the recession, they moved from Brooklyn to Nick’s hometown of North Carthage, Missouri. Their relationship becomes strained as Amy, a native New Yorker, is a fish out of water in the Midwest while Nick easily assimilates.

Nick is the main suspect after Amy goes missing, which rocks the small town and immediately becomes a national news. Nick maintains his innocence despite everyone’s suspicions–his only ally is his twin sister Margo–and works to find other suspects in Amy’s disappearance. Will Nick clear his name? What happened to Amy?

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Lost Girls is an impeccably reported true crime story about the disappearances of five women that worked as escorts. I read an interview with Kolker on Gawker, and was intrigued by this book.

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The book begins with Shannan Gilbert’s disappearance from a home in Oak Beach, a secluded community on the south shore of Long Island. The local police force’s reluctant search for her eventually led to the discovery of four other women believed to be victims of a still-at-large serial killer targeting sex workers that advertise online through Craigslist and Backpage.

Lost Girls has two parts. Book 1 devotes two chapters to each woman’s background and her time as an escort up to her disappearance. Book 2 discusses theories about the identity of the women’s killer, and how the victims’ families have banded together, which Kolker first wrote about for New York magazine.

This book’s interior design felt interactive. Maps marking each woman’s home town and when she arrived in the New York City area precede each chapter. A timeline, a list of characters, and additional maps in the back of the book help readers keep up with all the details.

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There are definitely some suspenseful moments in Gone Girl that grabbed my attention, but ultimately the book came up short for me. Flynn does an excellent job of spinning a twisted tale and describing the bleak, recession-ravaged Missouri town where Nick and Amy live. I don’t recommend Gone Girl but won’t discourage anyone from reading it, so they can draw their own conclusions*.

I don’t recall much about the original cases on which Lost Girls are based, but found the presentation of the stories and details so compelling. Kolker spent a lot of time with the women’s families and friends and wrote thoughtfully about the five women. Most notably, he neither passed judgement on their decisions to work as escorts nor blamed them for their deaths.

To me, Lost Girls is a better book. I’ve recommended it to friends and family since finishing it. By no means is it a happy story (these women had tough lives), but I found it engaging. I empathized with the families and their losses. At parts I was furious about the complacency shown by the police departments investigating the disappearances.

Gone Girl made me angry for different reasons. One was the ending, which I found unsatisfying. Also, I found most of the characters unlikable. Amy and Nick are written as such terrible people and they deserve each other.

If you read (or have read) either Gone Girl or Lost Girls (or both!) let me know what you think in the comments, or at hobkref@bccls.org.

What books have you read this summer that you liked? Did you read anything you didn’t like?

-Kerry Weinstein, Reference Librarian.

*According to Book Riot, I am not the only reader that didn’t enjoy Gone Girl.