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Cult and Commune Thriller: A Mother Always Knows by Sarah Strohmeyer

2 Apr

There’s something primal and untethered to be expected from A Mother Always Knows. The cover entices being watched, and the synopsis unsettles with horror rooted in folk lore. This was the Hoboken Public Library’s Horror/Thriller Book Club February pick.

Book cover for A Mother Always Knows by Sarah Strohmeyer. A cloaked figure with antlers stands in a dark forest with a glowing light behind them. The title is in bold green with occult symbols. A pentagram replaces the "O" in "KNOWS". A stream runs through the foreground.

Stella O’Neill is working at the local public library, and no one suspects she’s living under an assumed name, a tactic to keep herself hidden after witnessing her mother’s murder as a ten-year-old in a Vermont cult. The crime is still unsolved, but when her peace is upended, she is forced to flee Boston and revisit the fear of the cult she grew up in. She heads to the off-the-grid retreat to confront the leader and guru, Radcliffe MacBeath. Stella has both determination and a supernatural gift guiding her to outwit the charismatic leader and uncover the identity of her mother’s killer.

The book delivers a first-person suspense story that, while lacking a bit in its promise of terror through forced community and tradition, delivers on a few heart-wrenching scenes of close quarters and manipulated folklore ready to repeat itself.

I’ll admit, we were a bit fooled, but I say this so that you, the reader, can set your expectations. Here is the question the story actually presents: What do we actually want from the people we meet through our lives, authenticity or belonging, and do these two go hand-in-hand?

Imperfection is human, and this story’s protagonist, Stella, certainly has her flaws, including the troubling tendency to fall into traps of her own making. The effect is more “why would anyone do that?” But hindsight is twenty-twenty, and perhaps if we were in the situation Stella finds herself in, anxiety constantly pumping and fear forever looming, we too wouldn’t realize these blind spots.

What struck me most were the recurring patterns in the story that showed the cult’s cold hands holding its members.

The author includes sharp one-liners and some self-aware comedy to break the tension, though it sometimes deflates it. But humor under pressure is a very real human response, so in that sense, the effort is worthy. A Mother Always Knows achieves a different type of thrill that one of our readers put’s perfectly:
“A Mother Always Knows felt like a horror novel written by someone who only cared about a twist. After investing so much time into the cult, we’re left with an ending straight out of Scooby Doo.” – Michael Schmidt

For readers who prefer their suspense stories character-driven and with much internal monologue, this book may be for you. I finished A Mother Always Knows, and I’m a bit uncertain about the answer to its question, but then again, with these types of stories, uncertainty can be intentional. This story is for readers who want tension presented efficiently through different POV lenses in a first-person thriller, who don’t necessarily need their horror ancestrally folkish or Manson-esque.

Interested in the Horror/Thriller Book Club? Please email reference@hobokenlibrary.org, or register for our next meeting by searching under Events on our website.

Have you read A Mother Always Knows? What did you think? Comment below.

You can reserve it in the BCCLS system here, or access the ebook and audiobook on Hoopla.

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Written by:
Sean Willey
Information and Digital Services Assistant

Bee’s Knee’s Fantasies: Wolf Worm and Butterfly Effects

17 Mar

Wolf Worm
by T. Kingfisher

Wolf Worm is the latest by T. Kingfisher. Sonia Wilson grew up assisting her botanist father with his research and as a talented illustrator, enjoyed creating beautiful art out of what many people would simply consider weeds. But after her father’s death she struggles to find work as a scientific illustrator until she is hired to paint a collection of parasitic insects for a reclusive entomologist. The strange happenings in the nearby woods filled with odd wildlife and rumors of “blood thieves” has her both fearful and curious.

This is an entrancing dark historic fantasy/gothic horror story that gave me the creeps in the best possible way. As someone who grew up with a biology teacher for a father who enjoyed photographing our backyard bugs, I appreciated the detailed way that Kingfisher handled the topic. Even predisposed to finding insects intriguing, Kingfisher’s description’s still were at times horrifying and I can only imagine how much dread they would inspire in entomophobics. The 1899 time period felt well researched including social issues of the time. Kingfisher’s experience as an artist, herself, brings Sonia’s passion to life. She masterfully builds dread and includes several unexpected twists. If you enjoy this story, also check out her excellent spin on Poe’s The Fall of the House of Usher, What Moves the Dead, and its sequel, What Feasts at Night.

Butterfly Effects
by Seanan McGuire

Butterfly Effects is the latest in Seanan McGuire’s InCryptid series, which follows several generations of the Price family (both biological and found) on their adventures. Sarah Zellaby is one of the more unusual members of the family who was adopted as a young child. Sarah isn’t human, she is a Johrlac, a species that look like pale humans with dark hair, but are actually evolved from a species of psychic wasps on a world in another dimension. By those who are aware of them, her species is typically feared and reviled on earth for their powers and tendency to cause chaos. Despite all of her best efforts at being a good person, she has been kidnapped and brought to the Johrlac home world for crimes she did not even know existed.

McGuire gives enough of the backstory at the start so that you do not need to read the other books in the series to understand this one; this books follows events most closely with the stories in Imaginary Numbers and Calculated Risk which also focused on Sarah. Butterfly Effects is told from both Sarah’s perspective and that of one of her adopted cousins. Sarah is an interesting and complex character and I think readers who are neurodiverse will especially feel a kinship with her. The Johrlac world is vividly described from its giant bugs and beautiful flowers to its unique buildings; this story will appeal to Science Fiction as well as the series’s usual Fantasy fans.

Written by:
Aimee Harris
Information and Digital Services Manager